Brass Arts Unlimited
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      • America!
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      • Caccia
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      • Ninety-Five Minutes Over Jupiter
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      • Rising
      • Silhouette
      • The Spikenard
      • Tanguito
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      • A Door Into the Dark...
      • A Garden Path
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      • Out for a Stroll
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      • River Melos
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      • Sonata (Shewan)
      • Tardigrade, The Water Bear Waltz
      • Three Miniatures
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      • Fanfare (4 horns)
      • On Picasso (4 horns)
      • Under the Moon (2 horns, harp/pno)
    • Horns, five and more >
      • Amazing Grace (6 horns)
      • Beneath the Cross (5 horns)
      • B(h)ORN T'WIN (12 horns)
      • La Vita del Corno (8 horns)
      • Fanfare (horn choir, four parts)
      • Thy Hand Hath Provided (8 horns)
    • Horn Methods and Etudes >
      • Concert Etudes for Horn, Complete Collection
      • Concert Etudes - Brahms
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      • Concert Etudes - Russians
      • The Daily Drill for Horn Players
      • Horn Excerpt Boot Camp, V. 1
      • Interval Training in 63 Etudes
      • Quarter Tone Manual
      • Twenty Difficult Etudes
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      • Blue Ridge Courtship
      • Canto Serioso
      • Next Door to Purple
      • Rivermist
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      • Cruise Control
      • Tèarmunn
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      • 75/85
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      • Battle Cry of Freedom (brass 5tet)
      • Beneath the Cross (brass 5tet)
      • Christmas Oratorio, Part VI (10 brass)
      • Danny Boy (Brass 5tet)
      • Philharmonic Fanfare (2019)
      • Práis (Brass 5tet)
      • Scenes from the Bayou (Brass Trio)
      • shoulder to shoulder (horn, trombone)
      • work songs (hn, tbn, tba)
      • Zen Monkey (Brass 5tet)
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      • Scenes from the Bayou (Brass Trio)
      • shoulder to shoulder (horn, trombone)
      • Six Bones for Six Bones
      • work songs (hn, tbn, tba)
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      • Modern Warm-Up for Trumpet
      • Scenes from the Bayou (Brass Trio)
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      • work songs (hn, tbn, tba)
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Caccia, for solo horn, by Joseph D. Johnson

"​When the inspiration for Caccia first arose, I knew that I wanted to create a piece that is fun to play. In Italian, the word “caccia” translates to “hunt” or “hunting,” which I felt adequately fit the mood of the piece. I originally intended for this to be a rondo, similar to Cooke’s Rondo in B-flat, but the music doesn’t necessarily fit the rondo form. It is essentially composed in free form, but loosely follows a ternary structure. There are distinct A, B, and C sections with some transitional material between B and C. This work offers some challenges in terms of technical facility, hand-stopping technique, and low horn playing, but it should be enjoyable to work through. The tempo is flexible, but it needs to have energy, so I wouldn’t slow the piece down too much. 

There are a few spots in the music where a player may take a little bit of time, whether it’s just a brief pause or taking more time to empty water. The end of m. 22 is the first such pause. This is the end of the introductory material, or A section. A brief pause at m. 23 should be appropriate before continuing to the B section. The material from mm. 24-67 comprises the largest continuous section of music. This B section contains modulations, time signature changes, and the development of different themes. A longer pause to empty may be taken at m. 68, because the next section at m. 69 is a complete change in style. Since this next section is in bass clef, one may take time to quickly empty or “reset” at m. 85. This brief pause is merely meant to separate this section from the return of the original melodic content."  -  Joseph Johnson



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  • Overview
  • Publications
    • Horn, unaccompanied >
      • America!
      • Antilogy
      • Caccia
      • Halle Habana
      • Ninety-Five Minutes Over Jupiter
      • Preludes for the Four Seasons
      • Rising
      • Silhouette
      • The Spikenard
      • Tanguito
    • Horn and Piano >
      • A Door Into the Dark...
      • A Garden Path
      • Bay State Sonata (Donovan)
      • Brahms Six Songs
      • Chaconne & Fugue
      • Five Songs, Ives
      • Heroine
      • Hunting Songs
      • Irremediable Breakdown
      • Maiden Voyage
      • Out for a Stroll
      • Reverie (Gillie)
      • River Melos
      • Sonata (Gillie)
      • Sonata (Shewan)
      • Tardigrade, The Water Bear Waltz
      • Three Miniatures
    • Horns, Two to Four >
      • Fanfare (4 horns)
      • On Picasso (4 horns)
      • Under the Moon (2 horns, harp/pno)
    • Horns, five and more >
      • Amazing Grace (6 horns)
      • Beneath the Cross (5 horns)
      • B(h)ORN T'WIN (12 horns)
      • La Vita del Corno (8 horns)
      • Fanfare (horn choir, four parts)
      • Thy Hand Hath Provided (8 horns)
    • Horn Methods and Etudes >
      • Concert Etudes for Horn, Complete Collection
      • Concert Etudes - Brahms
      • Concert Etudes - Mahler
      • Concert Etudes - Strauss
      • Concert Etudes - Classics
      • Concert Etudes - Russians
      • The Daily Drill for Horn Players
      • Horn Excerpt Boot Camp, V. 1
      • Interval Training in 63 Etudes
      • Quarter Tone Manual
      • Twenty Difficult Etudes
    • Horn and Strings >
      • Blue Ridge Courtship
      • Canto Serioso
      • Next Door to Purple
      • Rivermist
    • Horn and Percussion >
      • Cruise Control
      • Tèarmunn
    • Chamber Ensembles >
      • 75/85
    • Brass Ensembles >
      • Battle Cry of Freedom (brass 5tet)
      • Beneath the Cross (brass 5tet)
      • Christmas Oratorio, Part VI (10 brass)
      • Danny Boy (Brass 5tet)
      • Philharmonic Fanfare (2019)
      • Práis (Brass 5tet)
      • Scenes from the Bayou (Brass Trio)
      • shoulder to shoulder (horn, trombone)
      • work songs (hn, tbn, tba)
      • Zen Monkey (Brass 5tet)
    • Trombone >
      • Scenes from the Bayou (Brass Trio)
      • shoulder to shoulder (horn, trombone)
      • Six Bones for Six Bones
      • work songs (hn, tbn, tba)
    • Trumpet >
      • Modern Warm-Up for Trumpet
      • Scenes from the Bayou (Brass Trio)
    • Tuba >
      • work songs (hn, tbn, tba)
  • Composers
  • Licenses
  • Recordings
  • Contact
  • FAQ
  • STORE CHECKOUT